His work features elementary characters with small variations in hair length or skin tone which are often caught in dynamic poses or interconnected with other figures. The straightforward nature of the forms make them easily relatable.
A theme that is often found in his work is that of people supporting each other and this is what drew Yolk’s co-founder, Max to them.
Max met Marko while working in the cycling industry and bought a few of Marko’s early prints. He started to experiment with the simplified human forms in his work at around the same time Max was looking to decorate Yolk’s spaces on Sarego and there was an obvious connection in the intent of both endeavours.